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Jersey Beat Music Fanzine - Celebrating 25 Years of Rock and Roll!

Vinyl 7-Inch Reviews

 

MOSE GIGANTICUS - "Commander!" (The Cottage)

Mose Giganticus is the nom de rock of Philadelphian Matt Garfield, who may be the last great hope to redeem the keytar from its reputation as a hopelessly silly instrument played by bad Eighties power-pop bands with poofy hairdos. It helps that Garfield's keytar is tuned to sound more like a traditional synthesizer, and that is music is anything but poofy. Rather it's heavy and heady post-punk ranting about the oppression of technology. Imagine if Naked Raygun had a synthesizer in its heyday and you get an idea of the clobbering power of these tracks. While this EP starts out with uptempo fist in the air anthems, it ends with the apocalpytically sludgy "Days Of Yore," which even with a droning keytar riff still manages to sound chilling and foreboding. - Jim Testa

 

The Varsity Weirdos - "High School Teen Party" 7" (It's Alive Records)

When I first heard "Co-Dependency" on the Insubordination Fest 2007 CD, I liked what I heard. They were probably the best band on the record. The knowledge I gained from that one song alone was that the Varsity Weirdos were a band I could potentially grow to love even more - the endearingly bratty vocals, the loosely played chords, the hearty drum beats, the rebellious field of bass hooks - I just knew, partly from instinct and partly from the intuition I'd developed from my regular gig attendance, that every member of the band was loving every second they were sharing in their spotlight moment at the fest. "High School Teen Party" not only complements the theatrical presence they seem to contain, but confirms my love for the band. This is real rock 'n' roll if I ever heard it - fun, carefree and miles from the arrogant pretense of angst and aggressive politics which punk can so easily resort to. Is there really much more to say about a great band? I think not! They're a rock band, they're good, check them out. It really is as simple as that. – Dick Nothing


CAMP X-RAY (Twistworthy Records www.twistwortthy.com)

Camp X-Ray again proves that if you want wonderfully bizarre punk, look to the state of Texas. Emerging from the same home as such luminaries as Butthole Surfers and Stickmen with Rayguns, Camp X-Ray offers four discordant outbursts of guitar squall and fractured vocals. This has a classic DC, “post-punk” sound, particularly on the noisy “Mechanical Bullshit” and “Quicksand”. These are rough, rugged, tracks that rattle and shake with challenging time structures and confront you as a listener. Some may hear such 90’s influences as Drive Like Jehu or Rocket From the Crypt, but regardless of comparisons, Camp X-ray is generating a sound that is daring and inspiring.-Rich Quinlan


JONESIN / SHANG-A-LANG – Split EP (Dead Broke Records www.deadbrokerecords.com)

This split release from Dead Broke highlights two raw bands with powerful messages. Jonesin’ may sound a bit sloppy and less than serious, but that defies the haunting nature of their lyrical content. “Birds” includes the lyrics “I’m breathing but hardly living”, while “Lost” recants tales of drugs, violence, and death. The B-side from Shang-a-lang includes a cover of Lou Reed’s classic “I’m So Free”. However, the band’s original work, “Bottled Up”, is a raucous guitar nugget that hooked me instantly. This New Mexico outfit will hopefully have new releases on the horizon, for they are a more polished and refined act musically that their cohorts. However, both bands have their strengths, and this is worth picking up.-Rich Quinlan


MY SO CALLED LIFE / RYAN STILLS Koi Splits #4 (www.koirecords.com)

The latest installment of the Koi split series is another success, as the label daringly matches two seemingly diametrically opposed acts on one beautiful piece of vinyl. My So Called Life’s “Revenge Against the Black Hearted Fairies” is a bouncy, catchy track of romance inspired angst. This is a band that would fit comfortably among the new crop of American pop-punk, although their tone is a bit darker than acts such as New Found Glory or All American Rejects. While this will not change your life, I believe the band is better than the show. The B-side was the more captivating of the two efforts, as Ryan Stills creates stirring, atmospheric beauty with “Deepest Blue”. This warm, complex song has an intricate textual depth and a slow tempo, offering the listener ample time to indulge in the mesmerizing nature of the piece. While Ryan is also the leader of Kover, his solo work is certainly staggering.-Rich Quinlan


RICH WHITE MALES - We Ain’t No Musicians (www.cabana1records.com)

Occasionally, you can simply look at a record and know that you are in for a treat. That is certainly the case with this brilliant re-issue of Rich White Males’ out of print gem, “We Ain’t No Musicians”. Tapping into an energy and swagger reminiscent of the Nosebleeds’ “Ain’t Been to No Music School”, the Males boast of their inability to handle their instruments and revel in their snotty disregard for anything proper. Other highlights include “Bum”, which deviates from its course to include the immortal chorus of “Kill the Poor” from Dead Kennedys, and the hilarious “Sellin’ Drugs”. The latter is a buzz saw of guitar fuzz and obnoxious vocals, sounding straight out of Rocket to Russia. Sometimes music should just be fun, and the Rich White Males epitomize it.-Rich Quinlan

TEAM STRAY - Three Songs About Girls And One About Trevor
(myspace.com/peabrainrecords)

This very bubbly, dare I say adorable sounding, act provides exactly what they say: Three songs about girls and one about some guy named Trevor. The material is all bubblegum punk fare; easily digestible, but still fun. If you are old enough to remember Green Day’s earliest attempts to write songs about unrequited love and the pain of heartbreak, you will love “Never Making Up” and “Meaghan”. These songs each have a catchy hook to accompany their tale of woe. “Charity” is a song that will undoubtedly trigger a few memories, as the song details a relationship in which one of the people involved (read: the guy) simply does not want to commit to anything serious, while “The Shack” sounds like Weston’s hey-day. In the end, this was cute and certainly enjoyable, for Team Stray do what they do quite well. If you are looking to indulge your musical sweet tooth, this slab of vinyl will more than satisfy - Rich Quinlan


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